The Eternal Conflicts of the Cosmic Warrior

To skip the rambles and get straight to the yea or nay on picking this up, click here for the Bottom Line

First before it’s asked, no I haven’t read anything by Paul Grist. I know I know I should read Jack Staff but it’s on my list of crap I can’t afford to buy at the moment. Fortunately though this one-shot of his I happened to pick up during my random indie comic buy, back about a month or two ago

SOOO, the Cosmic Warrior (hey I can list the entire title but do you really want me to write that out every damn time)…it’s good. As a guy that hasn’t really read or viewed anything Paul Grist has done, I gotta say, I dig his style, both in terms of storytelling/dialogue and art style.

This one-shot starts off with the story of a warrior being told to a king, the general implication by the story seer being is the warrior will be the one to come to their lands one day to destroy the “evil king” / him. In a semi-humorous, semi-brutal way , the king, wise to the seer’s story and subtext, kills off the storyteller unappreciative of the discussion of his demise. From here it jumps to another story, and another. Swords, monks, knights,  a severed hand and more good stuff is involved but I don’t wanna spoil you too much on any of it.

Ok, so this one-shot is weird but in a good way I guess. Reading to the end of this comic Grist says a little bit about telling random stories in Jack Staff focused around the main character, and I am guessing from this one-shot, he’s basically doing the same for the cosmic warrior, so I’ll cut the man some slack. Taken as separate side stories, this first issue is good, Grist’s dialogue is tight and feels almost lyrical. The writing in each story reminds me of some prior Conan The Barbarian stuff I have read, in tonality and just overall feeling. When reading these stories I am also reminded of parts of Mignola’s storytelling, in that there is a somewhat ancient old feel to the writing. The artwork helps supplement the overall “ancient” feeling in storytelling, mirroring something one would see Mignola draw or Gabriel Ba / Fabio Moon draw. Where Grist is different from Mignola / Ba / and Moon though, is that in his art style Grist manages to stripe away everything in a panel to it’s most essential parts. Case in point, if you look at Gabriel Ba or Fabio Moon’s stuff, some of that shit is intricate, I mean it’s kinda beautiful too but it’s INTRICATE in detail, compare this against Grist’s art style though an you see he manages to somehow create something as equally as beautiful as Ba/Moon’s styles but with infinitely less details. It’s minimalistic yet it still leaves the stuff you need visually.

(Side note: While reading this first issue I couldn’t help but think of Samurai Jack a couple of times, this is like Samurai Jack in a way, just replace the samurai bit with an ancient viking-looking warrior)

So…bottom line, this book is good.  The art is easy on the eyes and the storytelling is good…..bastard just needs to give us a full story next issue instead of whetting our appetite and then cuttin us off like a surly coke dealer. You heard me Grist! Full self contained story next time man!

SugarShock : ONE-SHOT!

Again for the more ADD of you out there click here for the Bottom Line on this title.

If the name Whedon is on something I have a general compulsion to buy that shit up the moment I see it.

SugarShock is just one of those occurrences

SugarShock is a little one-shot written by Joss “I AM FIREFLY” Whedon with art done by Fabio Moon. The story centers around an indie rock band that inevitably gets mixed up in some intergalactic business having to fight some bad ass aliens in an arena for the glory of Earth (like thunderdome…if Monty Python were running it). Initially unbeknown to me SugarShock had premiered partly via Dark Horse’s online myspace page and the thing even won a motherfucking Eisner Award in ‘08 for best digital comic…shows how much I have been outta touch with the comics scene.

The overall writing for the thing is….how shall I put this, it’s half Vaughan Runaway-esque half BAT SHIT FUCKING INSANE. Whedon seems to basically just write stream of consciousness for the whole run of the issue and that’s not necessarily a bad thing.  The general story keeps you reading to see what zany ass shit is gonna happen next, much in the way Ellis’ Nextwave, Gerard Way’s Umbrella Academy or Remender’s Fear Agent would have you doing. The characterization within this one-shot at first glance seems shoddy and all over the place but it actual does something kinda cool in that it sacrifices possible deep individual character development so as to further the development of the band and it’s overall personality. I guess a simpler way of saying it is, with the time available to write this, instead of getting mired in all the personal aspects of everyone, Whedon instead tried to focus on developing the band as it’s own character of sorts. (see: Buffy, Firefly, etc, etc etc), this furthering the story and it’s identity in a weird sorta way. Baring all of this in mind though, there is some care taken with the band leader Dandelion and her overall character. Dandelion comes off as batshit insane (see Haruko Haruhara from FLCL) but by the end you start to get that maybe she is actually more sane then the rest of her band *coughs* River *coughs*…Whedon going so far as to explain the running gag of Viking Hatred…to be possibly a part of Dandelion’s past and sorta endearing the reader more to her. I’d go on further and talk about the irony of the robot guitarist, Wade, but I don’t wanna ruin the whole damn book for ya. (Side note: Wade looks incredibly similar to the robot from Invincible)

The artwork for this one-shot is good. The layout of the panels really supports Fabio Moon’s style which falls in a nice groove between some of Tony Moore’s stuff in Fear Agent and some of Gabriel Ba’s stuff from Umbrella Academy.

Page #20

Given …Moon is Ba’s twin brother though, so I guess the similarity between his work and his brother’s shouldn’t be a big surprise. If the name sounds familiar to ya, Moon  also did some of the groovy artwork in Casanova after his brother left around issue 8 and has worked alongside his bro in some other stuff like BPRD: 1947.

Ok, SO bottom line.: This one-shot is good. It’s Whedon writing an acid trippin version of Josie and the Pussycats with a talking robot + Fabio Moon’s artwork, what more can one want. GO READ IT!

Supergod #1

For those that are as ADD as me,  read Bottom line.

Supergod #1 is a fun smorgboard of post-apocalyptic goodness

Published by Avatar last year I heard little to jack freaking squat about this title and honestly, I don’t know why.

The story starts off with a scientist of some sort speaking into a digital recorder to somebody named Tommy. In the first page the scientist muses over humanity and it’s relationship with religion. “The whole of religious history is about us trying to build amazing creatures that will save the world”

“So that worked out all right then”

From this hint of a apocalyptic world a backstory is told of the beginnings of the superhuman. You are shown the first superhuman created via a secret space program funded by the British which inadvertently transformed three astronauts into a giant fungus entity, ANNNNND  it pretty much just keeps getting crazier from that point. (Note: Scientists end up loving the entity a little TOO much).

None of these superhuman origin stories seems to be finished off finitely in the first issue though and with the brief appearance of the first American superhuman you get the feeling that all of these superhumans will eventually cross paths with one another.

This first issue is good and to be frank I am not surprised. A general rule I have learned when it comes to Warren Ellis and his writing is that 99.9 % of the time, the first issue Ellis writes of anything is pure awesome. I guess the key to this series is, will it be Transmetropolitan where every issue kicks ass or will Supergod turn into another Iron Man, where the story starts strong but ultimately tapers off in quality.  With Gastonny’s penciling keeping good pace with Ellis’ storytelling and the fact that this series is only a 5 issue mini, I’d say the next couple of issues will be interesting in the least.

Bottom line: Freaky fungus superhuman + Warren Ellis + Indie title = Something weird and interesting you might wanna check out

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    1. Tired an it's not even 3am yet, when the heck did I get old
    2. @despotes I figured he was still dreaming, there was subtle stuff elsewhere which seemed to suggest it
    3. @annabethblue Otherwise I suggest a full reboot/restore from backup aka holding down the button for like five or ten seconds straight.
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